MUSIC FOR YOUR EARS | Incompatibility By Kilravock

Steven Wayne Smith, the creative force behind Kilravock, presents a stunning debut
with Kilravock, a two-song release that marks the beginning of his solo journey. Based
in Omaha, Nebraska, Smith demonstrates his multifaceted talents as a musician,
producer, and storyteller, delivering a powerful fusion of sound and meaning. This
release, which includes the original track Incompatibility and a cover of John Lennon’s
Working Class Hero, serves as a compelling introduction to his upcoming album, Just
Another Wonderful Day.
Kilravock’s music is unapologetically intense, weaving alternative rock, grunge, and
doom elements into a rich tapestry of sound. The original track, Incompatibility, is a
visceral exploration of emotional disconnect and the draining effects of one-sided
relationships. From the moment the song begins, the listener is plunged into a whirlwind
of tightly crafted chord progressions, blistering guitar riffs, and throbbing basslines. The
result is a dynamic, immersive experience that oscillates between ferocity and
introspection.
Smith’s vocal performance is the emotional core of the track. His voice carries a raw,
unpolished edge that perfectly complements the thematic grit of the song. Whether
soaring to impassioned highs or delving into resonant lows, his delivery conveys a deep
sense of frustration and vulnerability. The lyrics, steeped in themes of alienation and
societal critique, resonate with an authenticity that is both intensely personal and
universally relevant.
Instrumentally, Incompatibility is a masterclass in balance and complexity. The
interplay between the searing guitar leads and anchoring basslines creates a layered
sonic environment that feels both expansive and cohesive. The drumming is relentless,
driving the track forward with a sense of urgency that mirrors the emotional turmoil
explored in the lyrics. Each instrumental layer is meticulously crafted, with no element
overpowering another, allowing the song’s intricate details to shine.
Kilravock’s approach to production deserves special mention. The mix is sharp and
deliberate, with a gritty, unrefined tone that intensifies the track’s emotional weight.
The inclusion of subtle sound effects and atmospheric textures deepens the song’s
depth, drawing the listener further into its world.
The second track, a cover of John Lennon’s Working Class Hero, reimagines the classic
protest ballad through Kilravock’s distinctive lens. Collaborating with his bandmates
from The Alliterates – Sean Soucy on guitar, David Dick on vocals, and Anna Schmidt
on co-vocals – Smith infuses the song with a heavier, more aggressive energy. While
retaining the core message of the original, this rendition enhances its rawness,
transforming it into a modern critique of societal pressures and systemic inequalities.
What sets Kilravock apart is Smith’s ability to imbue his music with profound social
commentary. As a neurodivergent artist, his perspective adds a unique layer of depth to
his work, challenging conventional narratives and expectations. Incompatibility is not

just a song – it’s a critique of the emotional and psychological toll of existing within
rigid societal structures. This thematic focus elevates the track from a mere musical
offering to a poignant statement on resilience and self-discovery.
Kilravock is a commanding debut that cements Steven Wayne Smith as a bold and
authentic voice in the music scene. With its intricate instrumentation, emotionally
charged vocals, and thought-provoking lyrics, this release is a reflection of his artistic
vision and technical prowess. Both tracks are deeply engaging, offering a blend of raw
energy and introspective depth that leaves a lasting impression.
For fans of alternative rock and those seeking music with both substance and style,
Kilravock is an essential experience. It’s a thrilling introduction to Smith’s unique
sound and a promising glimpse into what’s to come with Just Another Wonderful Day.
Keep an eye on Kilravock – this Omaha artist is just getting started.

Review by Lucy Cicioni