Formula Indie Sessions _ Interview with Bobbie

Music between silence and tension ― an interview series beyond genre
What is your earliest memory connected to music?
I initially aimed to become a musical theatre actor, but my path shifted when my father began playing the guitar. That moment sparked my interest in creating music beyond performance. Discovering jazz later introduced me to improvisation, scat singing, and vocal training, forming the foundation of my musical identity.
How did your passion for creating music begin?
My passion for creating music grew from a desire to explore beyond what felt familiar at the time. While much of the mainstream pop around me didn’t fully reflect what I wanted to hear, I was inspired by the diversity and expressive freedom of female singer-songwriters and rock bands from the UK and the US.
What’s the story behind your current music project?
The current project sits at the intersection of control and release. On one hand, I pushed my production further than before, taking a bolder approach to vocal editing and incorporating AI more actively into the arrangements. At the same time, it reflects a desire to return to the simplicity of songwriting ― voice, guitar, and the quiet moments where songs first take shape. The project explores how technology and human instinct can coexist without cancelling each other out.
How would you describe your sound to someone who has never heard your music before?
My sound is centered around a distinctive voice and songwriting rooted in the singer-songwriter tradition. The arrangements leave space for the voice to lead. Lyrically, I focus on carefully chosen words, valuing beauty and nuance over direct statements or repetition.
What is one thing you’ve learned that completely changed the way you make music?
What changed my music most was learning how to truly enjoy the process. As my sense of enjoyment deepened, the way I create naturally began to shift. That came from learning to handle every stage of making music―from singing and playing, to music theory, digital arrangement, mixing, mastering, and release. Understanding the full process allowed me to engage with music more freely and intuitively.
What tools, instruments, or software are essential in your creative process?
I work primarily in Logic with Waves plugins, Ozone, and RX, alongside a Fender Japan Mustang, a Martin D-15, and a Valley Made ukulele.
Which indie artist or song are you loving right now?
An artist I’m currently listening to is Blood Orange, especially the album Cupid Deluxe. I’m drawn to the overall quality of the sound design ― it feels detailed yet emotionally open. The presence of muted guitar playing stands out to me in particular, adding subtle rhythm and texture without ever overpowering the songs.
How have your personal experiences influenced your music and artistic vision?
My music isn’t shaped by extraordinary events as much as by everyday experiences. I tend to feel even small, quiet moments deeply, and those subtle impressions naturally become part of my artistic vision. Rather than telling dramatic stories, I value translating ordinary sensations into sound, allowing music to reflect how I experience the world on a daily level.
What emotions or messages do you hope listeners take from your work?
I don’t aim to deliver a fixed message. I hope my work creates a space where listeners can reconnect with their own emotions, including darker or uncomfortable ones. Words, voice, and sound are closely connected in my process, and I focus on how texture and tension shape the emotional atmosphere.
What’s the most important lesson music has taught you so far?
Music has taught me that joy and struggle exist on the same line. The same process that brings me deep fulfillment also carries difficulty, and learning to accept both has become an essential part of my practice.
What is a dream venue or festival you would love to perform at?
I dream of hearing my music in spaces designed for deep listening ― concert halls or cinemas with surround sound, where every detail can resonate clearly. At the same time, I imagine myself singing as a supporting vocalist for a well-known artist, blending my voice into a larger musical vision
If you could collaborate with any artist, past or present, who would it be and why?
Collaboration is something I truly value, which makes it hard to choose just one artist. If I had to, it would be Mateus Asato. I’m drawn to his versatility as a guitarist and his ability to move freely across genres, which reflects the kind of openness I value in music-making. Seeing him cover Spitz, a Japanese band I love, also resonated deeply with me.
Where can our listeners follow and support your music? (Website,Spotify, IG, links)
https://linktr.ee/bobbiesonice
Looking toward the future, what’s your dream for the next chapter of your musical journey?
I’ve spent a lot of time exploring my inner world through music. For the next chapter, I’d like to open that door a bit wider ― inviting more interaction with other artists and listeners, and seeing what happens when the music leaves the room and starts moving on its own.
What do you hope listeners will discover about you along the way?
I hope listeners discover the quiet contrasts beneath the surface.
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