Who is the mysterious knight who watches over Italy?

oznor

The “singer-actor” Tiger Dek returns with his new single “Burrow man”, available on Spotify and in all the digital stores and the related video clip, which is published on the Youtube channel Tiger Dek
As always ironic and provocative, the single “Burrow man” invites us to reflect on how over time different “behavioral” models and “cultural” stereotypes have been the basis of the man/woman relationship, up to the appearance – according to Tiger Dek – of the ‘”Burrow man”: submissive and accommodating, just for this preferred to the others, in virtue of a certified fidelity.

What kind of man are you?

The chauvinist and possessive of the past, although still present in some social contexts? Do you recognize yourself in the rebel and “alternative”, but ideologically engaged, of the Sixties? Do you admire narcissists and bodybuilders from the hedonistic eighties? Or do you think it is better to behave like a “Burrow man”: sweet and accommodating, for the unconditional “reliability” manages to outperform the competition … Come on, get out of any scheme and become… Tiger Dek !!!

Who is Tiger Dek?

No one, because no one knows who is the “mysterious knight who watches over the city of Gorizia” in Italy… Everyone, because everyone can be, when the masks of hypocrisy are raised and you scream or sing with the mask of the tiger, that of Tiger Dek!Tiger Dek -we remember, no one knows the true identity- is a masked superhero who screams his contempt against hypocrisy with determination, inviting us to live forever discovered.

What does Tiger Dek want?

Tiger Dek has recently revealed himself, with the release of his singles and related video clips, shot entirely in Gorizia, a city with a very particular and problematic history and geographical position: with his songs he is the spokesman for anxieties and most fears deep of that border lands and has chosen the medium of music and video images as privileged channels of a much broader discourse than it might appear at first sight, especially if it is hastily labeled as “trash” that is a surreal artistic creation, conducted on the existential razor’s edge.

Who does Tiger Dek care for?

Certainly not with the humble citizens, who carry on everyday life -often with difficulty- but do not forgive the false prophets, those who say “let us arm ourselves and leave”, the trappers who pretend to be unconventional and instead become an integral part of consumerism more bold, the recording industry that invests and reinforces this negative imagination to get an easy business, the stereotyped models that the mass media offer us, to be all “equal and disgruntled”.


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